Module manager: Ben Mosley
Email: b.j.mosley@leeds.ac.uk
Taught: Semester 1 (Sep to Jan) View Timetable
Year running 2026/27
This module is not approved as a discovery module
This module introduces you to the theory and practice of studio recording. You’ll develop an awareness of the work of a range of practitioners, enabling you to contextualise your own practice and gain a deeper understanding of the ways in which sound recording may be undertaken, and the impacts of the decisions taken during the process.
The module aims to provide you with an introduction to practical studio work situated within relevant theoretical contexts. Practical classes will focus on the range of skills and techniques needed to undertake studio recording, with the practical work contextualised through lectures that support your developing understanding of how and why these practices exist and are observed.
On successful completion of the module you will be able to:
1. Make connections between the theory and practice of sound recording
2. Identify and apply appropriate methodologies to the study of sound recording and studio recording practice
3. Demonstrate a consistent level of creativity and technical proficiency in studio recording practice
Skills Learning Outcomes
On successful completion of the module you will be able to:
4. Independently locate, validate and reference scholarly work relevant to the discipline;
5. Reflect on your own learning, achievement, and personal development;
6. Collaborate reliably and constructively with peers.
Lectures will introduce important theoretical principles that are necessary to understand when undertaking studio recording, in addition to topics that are relevant to the history and development of sound recording practice. Studio-based practicals will introduce techniques, focusing on the use of studio hardware and software. This will include topics such as: microphones and audio signals; mono, stereo, multi-mic and instrument recording techniques; equalisation and dynamics processing; and audio mixing and editing.
| Delivery type | Number | Length hours | Student hours |
|---|---|---|---|
| Lecture | 8 | 1 | 8 |
| Practical | 10 | 1.5 | 15 |
| Private study hours | 177 | ||
| Total Contact hours | 23 | ||
| Total hours (100hr per 10 credits) | 200 | ||
Time will be built into the later practical sessions to allow students to discuss their portfolio, share their recordings with staff and receive feedback on their work. Students will be given guidance on what their portfolio should contain with regards to types of recordings, instruments to be recorded and recording techniques to be applied.
| Assessment type | Notes | % of formal assessment |
|---|---|---|
| Portfolio | A portfolio of studio recording practical work with accompanying documentation | 100 |
| Portfolio | A portfolio of studio recording practical work with accompanying documentation | 100 |
| Total percentage (Assessment Coursework) | 200 | |
Normally resits will be assessed by the same methodology as the first attempt, unless otherwise stated
Check the module area in Minerva for your reading list
Last updated: 05/03/2026
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